Thursday, January 23, 2020

Importance of the Connecticut Compromise (Great Compromise) in the Crea

Importance of the Connecticut Compromise (Great Compromise) in the Creation of the American Constitution After America was recognized as an independent country from England, the new republic went through almost twenty years worth of trial and error to find a government that would satisfy the needs of the citizens, the states, and the central national government. The most memorable, and influential, action of this time would have to be the Connecticut Compromise, proposed Roger Sherman, following the proposal of the Large and Small State plans at the Constitutional Convention of 1787. This Compromise directly affected the amount of representation from each state, and created the government system we are familiar with today. In Tindall and Shi’s â€Å"America,† the reader is denied the opportunity to have a complete understanding of both the Virginia Plan (representing the large states) and the New Jersey plan (representing the small states.) In order for the people of today to comprehend their government, a detailed historical account of how our government came to be is an important factor. Given a brief explanation, the reader is only vaguely introduced to the concepts that there were disagreements in how our country should be run in the beginning. More emphasis is given to the outcomes and effects of the Connecticut Compromise than why the Compromise was needed in the first place. The Virginia Plan, introduced by James Madison, suggested for the need of representation based upon a states population, including a states African American slavery population. Thus, it was deemed the Large State plan, since it obviously favored states with heavy population. Tindall and Shi explore this, but leave many questions unansw... ...ponses to questions from "everything from heavy-handed threats and poker-faced bluffs to heartfelt pleas for accommodation, from candid avowals of interest to abstract appeals for justice" (Rakove). The Tindell and Shi obviously felt the need to leave this out of the textbook because the main issue hanging over the delegates head was the issue of slavery. The new government was tested by its own strengths and weaknesses before a Constitution was ever written at the Convention. The young country could have been torn apart over issues such as representation and slavery during the summer of 1787 in the city limits of Philadelphia. Instead, the delegates were able to work together to form a government that would appeal to the people of our past, and the people of our future. For over 225 years, this has worked, with only few minor details needing rearranging.

Wednesday, January 15, 2020

Applications for Christian Counseling Essay

In McMinn’s 1996 book Psychology, Theology, and Spirituality in Christian Counseling, the author goes into detail about the theoretical and technical applications and interventions involved in the practice of counseling from a Christian perspective. McMinn discusses bringing religion into the counseling office. He asserts that religion is always addressed in counseling, in a variety of ways. Religion is either presented as a negative force which should be removed from a client’s life, as a positive force in which God is a helpful support in the life of the client, or as a negative force in which religion takes on a shaming role. McMinn calls the reader’s attention to the psychological and spiritual health of the client as being interwoven. From a Christian perspective, psychological and spiritual health is a given, an essential gift from God, and it is up to the client with the help of the counselor to find the path towards recognizing and appreciating spirituality as an element of psychological health. Prayer serves to bring God closer to people personally, and clients can be aided in their goal to reach spiritual enlightenment by praying to God to help them find solutions. Scripture can also be helpful in the lives of people wanting to find a deeper meaning and purpose in their lives, as the path to happiness is clearly explained within the Bible. However, it is not always appropriate to discuss religious ideals with clients. It should be up to the client whether or not he or she feels comfortable discussing particular aspects of religion. Although people are disturbed by sin, suffering from personal decisions to break away from God, it is important to recognize that sin can only be overcome by acts of love and kindness. Recognizing sin is important, but it is not up to counselors to point out the sins of their clients, and it does not serve any purpose for clients to fall into the gloom of guilt and shame. In regard to the benefits of confession, it can be immensely helpful and relieving to share one’s sins with another person, to give voice to the things one has done wrong. However, it is also important to forgive and move forward in figuring out ways to make amends and rectify the situation as best as possible. McMinn covers all of the basics in regard to how counselors should and need to address psychology, theology, and spirituality in Christian counseling. Religion is always a topic of any counseling session, and it is up to the counselor to decide the best ways in which to address the ways in which God is present in the lives of clients. McMinn offers a wide range of ideas and suggestions in response to people who are searching for an answer about how to address Christianity in the counseling office. Response In reading McMinn’s chapter entitled Toward Psychological and Spiritual Health, I was reminded of one of my own road trips with my family as a child. My sisters and I were making too much noise in the back of the van, and my father pulled over, opened the back of the van, and slapped me, shouting at us to be quiet. This is one of my most disturbing memories, and it made a profound impact on my life. Having experienced a situation such as this was a learning experience for me, and it took a while for me to wrap my mind around the fact that I was not guilty, my father was. My father was the one who sinned, not I. He was the one who was raising me, and he made mistakes. It was wrong of him to yell, to hit, to manage his own anger so poorly and to react to me in violence. I think it’s important that sin be treated seriously, as it is an act which fragments tender social and familial relationships. I think that it is important to feel remorse about sinful situations and to regard the incidents with honesty. As a child, I felt guilty, as if I did something wrong. I carried this guilt, which was also sinful, into my life as a young adult, until I finally recognized that I was not to blame. My father was the one to blame. And now, I feel comfortable in knowing what is wrong and right for me as a parent. I feel liberated by seeing the sinful situation clearly and through forgiveness of both my father and myself. I forgive him for hitting me, for yelling at me, and I forgive myself for feeling guilty and ashamed for so long for something which was not my fault. Reflection In reflecting on McMinn’s book, I think it is highly important for Christian counselors to keep in mind the importance of attributing sin to the precise people and situations. McMinn addresses how it is important to regard oneself with respect to one’s own sins. However, given the relational nature of human social interaction, it is highly significant to discuss the ways in which the sins of others have an affect on the personal lives of clients. Many people have problems in their lives, and many times, people are feeling guilty and ashamed, down trodden and helpless, because of the sins of other people (Isay, 2008). It is important for counselors to see the world clearly, especially the ways in which family relationships create specific relational responsibilities. One of the most important elements of the counseling relationship is to help clients figure out how sin, personal sin and sins of other people, are affecting their lives. Without being precise about who, what, where, and when sin has occurred, there can be no honest step forward into forgiveness. Action In my own professional life as a Christian counselor, I want to be able to help people to honestly be able to recognize and attribute sin to the problems in their lives, whether the sin is their own or the sin of another person. Most problems in the world are relational, and it is nearly impossible to consider oneself outside of the realm of how one is relating to others. I want to be helpful in asking questions and guiding clients in their search to figure out the ways in which sins are affecting their lives. When the sins of the client and the other people in the client’s life are clearly described and honestly voiced by the client, only then it will be possible for the client to move forward in forgiveness and reconciliation, and be enabled to move closer in a relationship with God. References Isay, J. (2008). Walking on Eggshells: Navigating the Delicate Relationship between Adult Children and Parents. Random House, Inc. McMinn, M. (1996). Psychology, Theology, and Spirituality in Christian Counseling. Carol Stream, IL: Tyndale House Publishers, Inc.

Tuesday, January 7, 2020

William Shakespeare s Much Ado About Nothing - 1225 Words

Brittany Miller Dr. Rebecca Coogan EH 221 02 October 2016 Chaos Brings Laughter William Shakespeare’s Much Ado About Nothing, a comedy filled with differences between genders, witty banter between memorable characters Benedick and Beatrice, a plot of revenge that involves one character faking her death and let’s not forget the masquerade marriage that comes to readers at the end. Much Ado About Nothing, court politics while still maintain a profound amount of humor and wit. However, it is the honor and shame that is prominent in Much Ado About Nothing that we reach the turning point in this playwright, the moment everything takes a dark turn at the altar when the audience believes Act four scene one of Much Ado About Nothing is important because it presents itself as the critical turning point of the playwright as it transitions from a lighthearted comedy to a tragedy. This transition allows Shakespeare to blend two of his most commonly known playwright experiences into one. In the turning point of this Shakespeare play, Claudio, who stands ready t o marry his bride, Hero, objects to the marriage by publicly shaming Hero’s suspected infidelity. Hero, completely stunned by the accusation made, faints from the shock while her father condemns her for her shameful act of defiance. After members of the wedding party leave the scene, the Friar, being the savior in the midst of this chaos is suspicious of the accusations made and convinces Leonato, Beatrice and Benedick toShow MoreRelatedWilliam Shakespeare s Much Ado About Nothing1204 Words   |  5 PagesI will be considering the role of the villain in Much Ado About Nothing, and will conduct rhetorical analyses that will proceed to view the perspective of the villain and his or her intentions. Much Ado About Nothing written by William Shakespeare intending this play to be a comedy. Although it is hard to comprehend the comedy within the play. The characters within this play are all linked together by having a relationship that looks like a telephone wire game. The characte rs dilemma develops anRead MoreWilliam Shakespeare s Much Ado About Nothing2083 Words   |  9 Pagesin the end, there are millions of ways that each individual defines love according to their experiences. One individual in particular is Shakespeare, who is widely known for expressing the significance of love in various plays of his, as he portrays several branches of love such as friendship, parental love, and romantic love. In Much Ado about Nothing, Shakespeare demonstrates the ways in which Claudio and Hero’s love shows the triumph of imagination over intelligence compared to Benedick and Beatrice’sRead MoreWilliam Shakespeare s Much Ado About Nothing898 Words   |  4 PagesBeatrice, Benedick, and Love in Much Ado About Nothing William Shakespeare’s Much Ado About Nothing is set in thirteenth century Italy. The plot of the play can be categorized as comedy or tragicomedy . Villainy and scheming combine with humor and sparkling wordplay in Shakespeare s comedy of manners. Claudio is deceived into believing that Hero, is unfaithful. Meanwhile, Benedick and Beatrice have a kind of merry war between them, matching wits in repartee. This paper will attempt toRead MoreWilliam Shakespeare s Much Ado About Nothing1317 Words   |  6 PagesMuch to Do About Noting Deceit is the act of concealing or misrepresenting the truth. Deceit plays an important role in the plot of Shakespeare’s play Much Ado about Nothing. It also has a large influence on the relationships of the play. Much Ado about Nothing is a play written by William Shakespeare who is widely considered the greatest dramatist of all time. William Shakespeare was baptized on April 26, 1564, in Stratford-upon-Avon, England. From roughly 1594 onward he was an important memberRead MoreWilliam Shakespeare s Much Ado About Nothing3289 Words   |  14 PagesSection One Title Analysis: As an author, William Shakespeare had titles ranging from the light at heart and ethereal to the rigid and formal. The title, Much Ado About Nothing, is one such title that fits very neatly into his light at heart category. However this doesn t mean that the title doesn t reflect the story as in Shakespeare s other plays. His light at heart stories have titles that are just as reflective as his more serious titles. The title is an obvious indicator of the story thatRead MoreWilliam Shakespeare s Much Ado About Nothing1516 Words   |  7 Pages Danielle Silfies An Issue of Deception and Morality In William Shakespeare s play Much Ado About Nothing, many characters lack moral values and use deception as a tool to get a conclusion that they desire. Deceit is a concept that most of the characters experience in some form throughout the play. It is used to get Benedick and Beatrice to realize their feeling of love and admiration for each other. It is also used to pull characters like Claudio and Hero apart multiple times. Deceit is usedRead MoreWilliam Shakespeare s Much Ado About Nothing And Hamlet1503 Words   |  7 Pagesthoughts, well-being, actions, and interactions with the other set roles. William Shakespeare’s plays included dissimilar characters and different methods of characterization. The two plays that will be compared and contrasted are William Shakespeare’s Much Ado About Nothing and Hamlet. As for the characters from each play, Beatrice, Benedict, Don John, Don Pedro, Claudio, and Hero will be assessed from Much Ado About Nothing and from Haml et, Hamlet, Claudius, Gertrude, Polonius, Laertes, and OpheliaRead MoreWilliam Shakespeare s Much Ado About Nothing768 Words   |  4 Pagesshares many similarities with the production from Shakespeare’s time, however they markedly differ. There are indeed many differences, for example, language, gender roles, and venue. These differences would change the retelling of Much Ado About Nothing in Shakespeare times because of its modern production. First, language absolutely would have played a vital role in Shakespeare’s time. Today Shakespeare’s words have massively changed and lost its meaning in modern retelling theatre. The pronunciationRead MoreWilliam Shakespeare s Much Ado About Nothing3544 Words   |  15 PagesWhen examining the plays written by Shakespeare there are many instances where the common theme of marriage is shows. In the times of the 1600’s the ceremony of marriage was very common and done in a very orderly and strict fashion. In those time there was no aspects of a genuine love and heart felt marriage but instead they were seen as an agreement between the two parties. In many of the works of Shakespeare many characters deal with the issue of marriage and you begin to see the toll if had onRead MoreWilliam Shakespeare s Much Ado About Nothing1784 Words   |  8 Pagesis a witty, talkative character in Much Ado about Nothing. She is cousin to Hero, and also a close friend, however, s he and Hero are very much dissimilar, as Hero is a gentle and quiet young woman. She has a very sarcastic and joking nature. We can tell a lot from her first line. She says, ‘I pray you, is Signor Montanto returned from the wars or no?’ The pun used tells us that she has a wit and a joking manner. Also, we soon find out that she is talking about Benedick, therefore, giving us a hint